- The Musical Million: The Ruebush-Kieffer Company, Singing Schools, and the Birth of Southern Gospel
- From Virginia Chronicle, One Century Ago: Three Dailies & Four Weeklies Report the End of the Great War
- Carpetbagger or Reformer?
- A Talent at the Starting Gate: Nell Blaine and the Monocle
- Assembling The Digital Page: Team VNP Attends National Digital Newspaper Program Conference In DC
Tag Archives: Civil War
By Kyle Rogers, LVA Newspaper Project volunteer
As part of an ongoing effort to give voice to nineteenth-century African Americans through digital projects like Virginia Untold and Virginia Chronicle, the Virginia Newspaper Project has identified nearly 500 advertisements posted by free African Americans during the antebellum era and the Civil War (c. 1800-1865) concerning their freedom papers. The example, below, was published in the Richmond Daily Dispatch on July 12, 1859:
Freedom papers, or “free papers,” were protective documents that certified a free African American’s non-slave status. Frederick Douglass, as usual, best explains the legal and personal significance of free papers to their bearers:
It was the custom in the State of Maryland to require of the free colored people to have what were called free papers. This instrument they were required to renew very often, and by charging a fee for this writing, considerable sums from time to time were collected by the State. In these papers the name, age, color, height and form of the free man were described, together with any scars or other marks upon his person which could assist in his identification. This device of slaveholding ingenuity, like other devices of wickedness, in some measure defeated itself—since more than one man could be found to answer the same general description. Hence many slaves could escape by impersonating the owner of one set of papers… The operation was a hazardous one for the lender as well as for the borrower. Douglass, Frederick. Life and Times of Frederick Douglass, Written by Himself. pp. 245–246.
A free African American’s papers constituted a legal affidavit which identified him … read more »
By Claire Johnson, Virginia Newspaper Project Intern
People have always been complex, making history a complicated topic. When history is distilled down to be straightforward, the reality of human failings and flaws are bypassed in favor of a clear-cut narrative. When national and regional pride are added to the mix, historical facts often become controversial. Citizens of the American South know this well; modern debate over the history of the Confederacy, and its monuments, easily becomes heated.
Though the Civil War ended in 1865, the war continued throughout the South, rearing its head in acts of violence and terror against black communities, now ostensibly free citizens of the United States. While some efforts to sow fear were overt, such as those of racist groups Knights of the White Camellia, the Red Shirts, or the Ku Klux Klan, others were unspoken. In addition to vigilante terrorism, the lives of black Southerners were made worse through legal means. In Virginia, poll taxes were enshrined in the constitution in 1876, shrinking the black electorate. black men were further disenfranchised after the Virginia constitution was rewritten in 1902.
It is a matter of much contention today whether these monuments to Confederate leaders were one such message to the black communities of the South or simply monuments built to honor the Civil War dead and Southern history.
Confederate monuments began going up in Richmond not long after the end of the Civil War. In 1875, a statue to Stonewall Jackson was erected on the Capitol grounds. However, the statues that now line Monument Avenue went up later, beginning 25 years after the end of the war, in 1890, with Robert E. Lee. The other Confederate statues on Monument Avenue came later: J.E.B. Stuart and Jefferson Davis’ statues were added in 1907, 42 … read more »
The Virginia Newspaper Project, ever in search of timely blog entries, encourages you to read the excellent article by Ralph Canevali of the National Endowment for the Humanities. Mr. Canevali writes about several soldier newspapers that cropped up throughout the South during the Civil War: How they were created and how they often just as quickly disappeared. The titles Mr. Canevali writes about can be found at Chronicling America, the online newspaper database maintained by the Library of Congress.
It is a timely article, given that the horrors of the Civil War led eventually to what was called Decoration Day and Memorial Day.
Near the end of the piece, we learn about the Soldier’s Journal, a title published, “Every Wednesday Morning, at Rendezvous of Distribution, Virginia.” The title can also be found at Virginia Chronicle, the Library of Virginia’s online newspaper resource.
Mr. Canevali’s article offers a series of images, including a few by such Civil War-era artists as Edwin Forbes and Arthur Lumley.
Alexandria was a lively town during the Civil War, so it’s no wonder PBS draws from the city’s history for its new drama Mercy Street. The series, inspired by real people and events, turns the lens from the battlefield and focuses instead on the Mansion House, a luxury hotel turned Union hospital. It follows the life of Mary Phinney Von Olnhausen, an inexperienced but capable nurse who is constantly faced with the challenges of working in an overburdened, chaotic war hospital.
So, what are the reasons Civil War era Alexandria is such an interesting setting? When Virginia officially left the Union on May 23, 1861, it was a city at once in Confederate territory and adjacent to the Union Capital. President Lincoln, needing Alexandria to shield Washington DC from Confederate forces, immediately sent Federal troops to occupy it—its proximity to the Potomac River and the railroad line also made it perfect for supply shipments.
The influx of thousands of Union soldiers only a day after Virginia’s secession vote may not have come as a total surprise to Alexandria’s inhabitants, but it wasn’t greeted with unanimous enthusiasm either. Henry B. Whittington, a Confederate sympathizer, wrote in his diary, “This is a sad day for Alexandria, and whatever may be the issue of this contest, this unprecedented move upon the part of a Republican President will ever linger in the minds of citizens while memory lasts.”
Alexandria quickly morphed from a quaint mercantile town into a “labyrinth of wharves, quartermaster storehouses, commissaries, marshalling yards, and railroad shops. . .Churches, public buildings and abandoned mansions were converted into hospitals, prisons and headquarters.” (George Kundahl, Alexandria Goes to War) And as the war progressed, … read more »
To review, here’s a newspaper roll call of the five daily newspapers (there were also weekly papers – four of them religious) in Richmond in late March at the close of the Civil War: the Richmond Examiner, Enquirer, Whig, Sentinel and (leaving no doubt about its frequency) the Daily Dispatch.
They publish in the war years (the Sentinel beginning in 1863) despite a “decrease in advertising, the shortage of ink and paper, the strike of printers, the loss of skilled workman by conscription, and…a depreciation of the currency, causing prices to rise to unprecedented levels,” as Lester Cappon writes in his introduction to Virginia Newspapers 1835-1935, a ready reference at the Project.
There’s no work around or compromise with fire, however, and the destruction of much of the city center April 3 (a Monday) one hundred and fifty years ago – marked with much ceremony here in Richmond over the weekend – left only the Whig capable of printing a narrative of the chaos accompanying the city’s surrender. And only after the approval, announced in an editor’s note, of the occupying Federal commander.
Given our task as preservers of Virginia’s newspaper heritage, we’re also interested readers. This includes the present day 21st century descendent of the Daily Dispatch, The Richmond Times-Dispatch. Especially when they reproduce the past in such compelling fashion as they did in last Saturday’s edition.
Something on page 2 caught our eye:
What’s that again? April 1, the last issue of the Daily Dispatch? What then of the April 3rd issue we have in hand and read in preparation for the blog the Friday previous? Bear in mind, if you’re an archivist, this advances the tingling onset of mystery and intrigue. Already we brooded with some … read more »
On Monday, April 3, the city burns. The following day Lincoln walks the still smoking ruins and the capital faces occupation by the Federal Army. April 9, about 90 miles west, Lee surrenders his force. And on the 14th of the month, the President is assassinated.
But on March 30, the beguiling calm of routine jurisprudence prevails in city court. The Examiner reports:
Only four days later, as the planned warehouse fires move beyond anything resembling a plan, the “presiding” Mayor Mayo sits within a carriage heading east to the Union lines, a note of capitulation on his person.
Anarchy, a massive munitions explosion its overture, plays out in the daylight, a wretched, sour bacchanalia no court can address.
The Examiner office yields to the inferno and has a share of black space on the map above. The Daily Dispatch and the Enquirer were consumed too. The winds favored the Whig. It’s their map.
Richmond panned by press! — Restauranteurs “swindlers and knaves” say soldiers — One dollar twenty-five cent outrage!
The Family Budget was a hand-written camp newspaper by Edward Budget, Confederate soldier in Hampton’s Legion which was formed after South Carolina seceded. The Library of Virginia holds this issue from July of 1861 in which Budget describes camp life on a rainy day, the arrival of artillery from Tredegar Iron Works, and criticizes Richmond at length for taking advantage of soldiers, and of being too “Yankee,” among other offenses. The text is transcribed below.
July 14th, 1861
We had hoped to have been able to chronicle in this issue an account of the presentation by Pres. Davis of a flag to Hampton Legion as the Legion were informed several days ago that said presentation would take place on the afternoon of Saturday the 13th […]; this however we are unable to do, not through any fault of our reporters but simply because the presentation did not take place, owing to the fact that the Executive was on that day too unwell to come out to Camp. The presentation will probably take place tomorrow at any rate in time for us to give an account of it in our next. The [stand] of colors is a present from Carolina ladies.
Yesterday two six-pound rifle cannons arrived for the artillery and received a hearty welcome; these pieces were cast in the Tredegar Works Richmond and are beautiful specimens of workmanship.
Judging from appearances we would think that some important military movement was on foot in the neighborhood of Yorktown this morning. There were […] about fifty or sixty feet long passed here on the rail road on their way to said place yesterday, a number of gun carriages, [timber chests], etc. and the day before several heavy pieces of artillery all … read more »
With the renewed interest in President Abraham Lincoln due to Steven Spielberg’s latest movie, I thought it would be interesting to take a look at newspaper coverage of the assassination and the ensuing manhunt. In the spirit of full disclosure, much of Lincoln was filmed in Richmond, Virginia and I was an extra in the film, playing a Radical Republican. See photo below.
To my surprise, our collection has very few Virginia newspapers from the period just after the war. Many newspapers we have from that time seemed to have stopped publishing in March 1865 as a result of worsening conditions in wartime Virginia. It is helpful to know a few dates concerning the end of the war: Lee surrendered to Grant at Appomattox on April 9, 1865; Lincoln was assassinated on Friday evening of April 14, 1865 and died the following day at 7:22 AM.
I was able to find several papers from the days following the assassination that have interesting information I have never come across before. I thought it would be beneficial to simply transcribe some of these accounts to satisfy public curiosity.
Over the next several days, we will feature extracts of articles from the newspapers published shortly after Lincoln’s assassination.
From The Alexandria Gazette, April 21, 1865
On page 1, appeared the following:
WAR DEPARTMENT, WASHINGTON CITY, April 20, 1865,
One Hundred Thousand Dollars Reward.
The murderer of our late beloved President, Abraham Lincoln, is still at large !!!
FIFTY THOUSAND DOLLARS REWARD will be paid by the Department for his apprehension, in addition to any reward offered by Municipal authorities or State Executives.
TWENTY-FIVE THOUSAND DOLLARS REWARD will be paid for the apprehension of G. A. ATZEROT, sometimes called “Port Tobacco,” one of Booth’s accomplices!
TWENTY-FIVE … read more »
One of the things that I do with the Newspaper Project is mending newspapers. Last week I repaired an issue of The New York Tribune, a 12-page newspaper from New York City dated May 13, 1862 that was recently donated to the Library. Although it is not a Virginia newspaper, it still contains relevant information about the conduct of the war in Virginia. Many of the articles are simply reprinted dispatches from Union Generals. The articles on the front page describe the capture and occupation of Norfolk, Virginia. The map depicts Union and Confederate positions just southeast of Williamsburg, Virginia.
Another interesting feature of the paper is a 4 page section listing of properties that were going to be auctioned off in order to pay off assessments. This was a public notice that the properties could be redeemed if the owner paid the amount due with a penalty of 14% interest per year within a 2 year period.
Below are before and after photographs of reassembled pages.
How It is Done
With a few household items and one specialty item, I am able to make my repairs. The required items are a pair of scissors, parchment paper (like what you would use to bake cookies — I also prefer the unbleached parchment paper), an electric iron, and Filmoplast R. Another item that is helpful is a large smooth board to iron on. I use a piece of 1/8″ cardboard that is not corrugated and I also have a piece of parchment paper taped onto the board.
Filmoplast … read more »