The Out of the Box bloggers will be taking a break for the holidays, but we’ll be back in the new year! In the meantime, enjoy this sheet music produced by the Hotel Richmond in the early twentieth century, part of the Library’s Special Collections. It and many other items can be found in our digital collections.
Editor’s note: Tomorrow is Election Day! Get out and vote!
For well over half of the 20th century, Virginia state politics was dominated by a conservative Democratic machine, which was perfected by the organization of Governor and U.S. Senator Harry Byrd. The Byrd Organization drew its strength from rural counties, benefitting from a state constitution and laws that depressed voter turnout by effectively disenfranchising African Americans and poor whites. By the end of the 1960s, this changed. Laws restricting voting based on race were lifting, the urban and suburban populations were rapidly increasing, and the state’s Republican Party was expanding. In 1969, the GOP broke the Democratic monopoly on state office by electing Linwood Holton governor.
The 1973 gubernatorial race highlighted these changes. Lieutenant Governor Henry Howell ran as an independent candidate by choice, receiving the commendation of the state Democratic Party. The party’s nominees for lieutenant governor and attorney general remained neutral in the campaign, not endorsing Howell. The state Republican Party was in more disarray. Constitutionally unable to renominate sitting Republican Governor Holton, the party had no candidate to oppose the popular yet liberal Howell. Desperate, Republican leaders turned to Mills Godwin, last of the Byrd Organization governors, hoping that he would secure conservative Democratic voters dismayed by the state Democratic Party’s liberal shift. Godwin reluctantly accepted the Republican … read more »
Today marks the hundredth anniversary of the first day of Virginia’s state-wide prohibition. To see more about the build-up to the referendum that dried up Virginia, see yesterday’s blog post.
The drys won out on 22 September 1914. The Temperance cause heralded this as a “mighty victory.” And indeed, state-wide prohibition won out by almost 60% of the vote, with 94,251 votes in favor and 63,086 opposed. Interestingly, the total voter turnout of 158,000 was significantly higher than the total for the 1912 Presidential election, which had a turnout of 136,900. Out of 100 counties, 71 voted dry, as well as every city except for Alexandria, Norfolk, Williamsburg, and Richmond.
State-wide prohibition went into effect on 1 November 1916, heralded by church rallies where parishioners rang bells and shouted out “Hallelujah!” at midnight. Despite the new law, alcohol didn’t completely disappear from the Commonwealth. Of the six major breweries in Virginia at the time, only one—Portner’s of Alexandria—closed down immediately. Brewers and distillers were temporarily allowed to remain in business as long as they sold their products out of state. Several breweries attempted to establish themselves as sellers of soda or other non-alcoholic beverages, with limited success. In contrast, the Garret and Company winery, located near Norfolk since 1903, immediately closed down operations and relocated to New York and California.
Home … read more »
Every year, seemingly on cue, nature gets the message that we’ve had enough heat and humidity. October dawns and the mornings get crisper, the leaves begin their brilliantly-hued demise, and everything is suddenly pumpkin-spice flavored. October also ushers in the celebration of all things archival with the nationwide American Archives Month.
This year, the Virginia Caucus of the Mid-Atlantic Regional Archives Conference (MARAC) adopted the theme of “Art in the Archives” to highlight the fine art, folk art, literature, poetry, sketches, and other artistic expressions that can be found in archives and special collections throughout the Commonwealth. Such materials can be housed in distinct art collections such as those in the archives of the Virginia Museum of Fine Arts, James Madison University, or the LVA’s own state art collection. Other examples can be found in non-art collections such as illustrated WWII-era letters from William & Mary or Virginia Union University’s model of the Liberty Ship SS Robert L. Vann.
Twenty institutions from around Virginia submitted images for use on the Virginia Archives Month 2016 poster. The handsome poster will be mailed to institutions, libraries, officials, and MARAC members around the state. Perhaps you’ll see a copy in your travels! If you would like you own copy, a downloadable PDF is found here.
In an effort to encourage a more participatory Archives Month, the … read more »
The Battle of Hampton Roads was one of the most important naval battles in the American Civil War. It was fought over two days, 8-9 March 1862, in Hampton Roads, Virginia. During the CW150 Legacy Project we uncovered a letter from a Union soldier who was at the battle and wrote home about what he had witnessed. The letter was written on 15 March 1862 by John “Johnnie” Torrance while he served with the 2nd New York Infantry Regiment, Company H and was stationed at Camp Butler, Newport News, Virginia.
In the letter written to “Libbie,” Torrance describes the naval battle he witnessed stating “I suppose you have heard of [it] before this time. I though[t] you would have saw something about it in the paper.” Torrance mostly describes the first day of the battle – detailing the attack by the CSS Virginia and CSS Patrick Henry and CSS Jamestown on the USS Cumberland and USS Congress. The Virginia rammed the Cumberland causing it to sink and taking nearly 150 lives. The captain of the Congress ran his ship aground in shallow waters and after some combat the ship surrendered. While the crew was being ferried off the ship a Union battery on the north shore opened fire on the Virginia. In response the Virginia fired with hot shot (cannonballs heated red-hot) … read more »
Editor’s note: This piece was originally published as an artifact spotlight for Discover Richmond, a magazine published by the Richmond-Times Dispatch. It is posted here with additional images of the Fredericksburg Dog Mart, which are part of the Virginia State Chamber of Commerce Photograph Collection.
These photographs from the Fredericksburg Dog Mart capture the heyday of an event that traces its roots to 1698.
At that time, one day a year was set aside by law to accommodate trade between the Manahoac Tribe (and later, the Pamunkey and Mattaponi) and English settlers in the area that later became Fredericksburg. The Native Americans would provide furs and produce in exchange for English hunting dogs. This practice occurred annually until the start of the Revolutionary War.
An annual dog mart resumed in 1927, known then as the Dog Curb Market, and coincided with the start of hunting season — the event gave hunters an opportunity to purchase hunting dogs. The dog mart also drew wider attention: it was featured in a Pathé Newsreel in 1928, and Time magazine wrote an article about it in 1937. By the following year, the dog mart drew a crowd of 7,000 people and 641 dogs.
The event was suspended during World War II but was restored in 1948 by the Fredericksburg Chamber of Commerce. In 1949, the dog mart … read more »
As promised in a previous post, here’s another look at some of the plethora of letterheads and stationery found in our archives. The original text by Vince Brooks is included here for context.
Commercial stationery can offer a fascinating snapshot of a place or time. Scholars of this subject point out that the rich illustrations and elaborate printing of commercial letterheads, billheads, and envelopes correspond with the dramatic rise in industrialization in America. According to one expert, the period 1860 to 1920 represents the heyday of commercial stationery, when Americans could see their growing nation reflected in the artwork on their bills and correspondence. As commercial artists influenced the job printing profession, the illustrations became more detailed and creative.
Robert Biggert, an authority on commercial stationery, wrote an extensive study of letterhead design for the Ephemera Society of America entitled “Architectural Vignettes on Commercial Stationery” and donated his personal collection of stationery, now known as the Biggert Collection, to the Avery Architectural and Fine Arts Library at Columbia University.
The primary role of these illustrations at the time of their use was publicity. The images showed bustling factories, busy street corners, and sturdy bank buildings–all portraying ideas of solidity, activity, and progress. Other types of symbolism can be found in commercial stationery, the most ubiquitous being “man’s best friend.” Dogs … read more »
Season’s Greetings from all of us at Out of the Box. We’re taking a holiday break, but enjoy the photos below from the U.S. Army Signal Corps Photograph Collection, part of the Print, Photograph & Original Art Collections. These and other Digital Collections from the Library of Virginia can be found here. You can also check out this holiday post from Fit to Print, the blog of the Virginia Newspaper Project. We’ll see you in the new year!