Tag Archives: business

- Paint Your Wagon


The Matchless No. 35, Hughes Buggy Company catalog, Frederick County (Va.) Chancery Cause Columbia Wagon Co. vs. John G. Crisman & Co., etc., 1903-058, Local Government Records Collection, Library of Virginia.

A chancery case from Frederick County looked like any other business dispute except for a unique item presented as an exhibit. Columbia Wagon Company vs. John G. Crisman & Company, etc., 1903-058, involved the bankruptcy of the Crisman Company and the efforts of its creditors to collect on the debts owed them. One of the many parties involved in the case submitted an exhibit of their showroom catalog of wagons and carriages. The Hughes Buggy Company’s catalog reads like a modern day sale brochure by any major auto company selling a Ford Fusion or Honda Civic. The wagons listed in the Hughes Buggy catalog have their own unique names and descriptions for their particular style. “The Physicians’ Phaeton” was a canopy covered carriage with large wheels having “1 inch tread” supporting its carriage described as ideally suited for the traveling doctor making house calls. The catalog offered customized color options with purchase of this new buggy.

Another style called “The Matchless No. 35” implies the manufacturing quality and customer appeal was second to none:

“This wagon is without a doubt the most popular vehicle built in the United States today.  Every single item of material and workmanship is positively the very best that can be procured.  Every known improvement is substituted in this carriage without additional cost.

The price includes Fnenuatic Tires, Wire Wheels,

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- A Few of Our Favorite Things: Letterhead in the Archive Part 3



Colt's Patent Fire Arms Manufacturing Co. letterhead found in Cumberland County Military and Pension Records, Civil War Issues, Barcode number 1156174.

As promised in a previous post, here’s another look at the plethora of letterheads and stationery found in our archives.  The original text by Vince Brooks is included here for context.

Commercial stationery can offer a fascinating snapshot of a place or time. Scholars of this subject point out that the rich illustrations and elaborate printing of commercial letterheads, billheads, and envelopes correspond with the dramatic rise in industrialization in America. According to one expert, the period 1860 to 1920 represents the heyday of commercial stationery, when Americans could see their growing nation reflected in the artwork on their bills and correspondence. As commercial artists influenced the job printing profession, the illustrations became more detailed and creative.

Robert Biggert, an authority on commercial stationery, wrote an extensive study of letterhead design for the Ephemera Society of America entitled “Architectural Vignettes on Commercial Stationery” and donated his personal collection of stationery, now known as the Biggert Collection, to the Avery Architectural and Fine Arts Library at Columbia University.

The primary role of these illustrations at the time of their use was publicity. The images showed bustling factories, busy street corners, and sturdy bank buildings–all portraying ideas of solidity, activity, and progress. Other types of symbolism can be found in commercial stationery, the most ubiquitous being “man’s best friend.” Dogs show up … read more »

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- A Few of Our Favorite Things: Letterheads in the Archive Part 2

 

Planters Nut & Chocolate Co. This letterhead is found in Tredegar Iron Works Records (Accession 23881) Series VI: Correspondence, Incoming, 1924, Box 588.

As promised in a previous post, here’s another look at the plethora of letterheads and stationery found in our archives.  The original text by Vince Brooks is included here for context.

Commercial stationery can offer a fascinating snapshot of a place or time. Scholars of this subject point out that the rich illustrations and elaborate printing of commercial letterheads, billheads, and envelopes correspond with the dramatic rise in industrialization in America. According to one expert, the period 1860 to 1920 represents the heyday of commercial stationery, when Americans could see their growing nation reflected in the artwork on their bills and correspondence. As commercial artists influenced the job printing profession, the illustrations became more detailed and creative.

Robert Biggert, an authority on commercial stationery, wrote an extensive study of letterhead design for the Ephemera Society of America entitled “Architectural Vignettes on Commercial Stationery” and donated his personal collection of stationery, now known as the Biggert Collection, to the Avery Architectural and Fine Arts Library at Columbia University.

The primary role of these illustrations at the time of their use was publicity. The images showed bustling factories, busy street corners, and sturdy bank buildings–all portraying ideas of solidity, activity, and progress. Other types of symbolism can be found in commercial stationery, the most ubiquitous being “man’s best friend.” Dogs show up … read more »

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- Additional Prince Edward County Chancery Causes Added to CRI!

One of the county's historical markers. Image from hmdb.org and used courtesy of Craig Swain.

Additional Prince Edward County chancery causes are now available on the Chancery Records Index. These additions span the years 1754 through 1883. Combined with the previously released images for Prince Edward County, the locality’s chancery causes have been digitized for the years 1754 through 1913.

Chancery cases are especially useful when researching local history, genealogical information, and land or estate divisions.  They are a valuable source of local, state, social, and legal history and serve as a primary source for understanding a locality’s history. Chancery causes often contain correspondence; property lists, including slaves; lists of heirs; and vital statistics, along with many other records.  Some of the more common types of chancery causes involve divisions of the estate of a person who died intestate (without a will); divorces; settlements of dissolved business partnerships; and resolutions of land disputes.

Here are a few of the cases you will find in the newly updated Prince Edward County chancery collection. To see more suits, go to the EAD guide and choose “Selected Suits of Interest” on the menu at the left.

 1755-001- Bridget Braithwaite by etc. v. Edward Braithwaite.  The wife sued for separate maintenance. Her husband abandoned her and was cohabiting with Joanna Sinclair, “a woman of ill fame and reputation” in the same parish and county. Bridget Braithwaite and her small children “are … read more »

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- A Few Of Our Favorite Things: Letterheads In The Archive Part 1

 Letterhead of Layman Brothers farm supply company in New Castle.

Commercial stationery can offer a fascinating snapshot of a place or time. Scholars of this subject point out that the rich illustrations and elaborate printing of commercial letterheads, billheads, and envelopes correspond with the dramatic rise in industrialization in America. According to one expert, the period 1860 to 1920 represents the heyday of commercial stationery, when Americans could see their growing nation reflected in the artwork on their bills and correspondence. As commercial artists influenced the job printing profession, the illustrations became more detailed and creative.

Robert Biggert, an authority on commercial stationery, wrote an extensive study of letterhead design for the Ephemera Society of America entitled “Architectural Vignettes on Commercial Stationery” and donated his personal collection of stationery, now known as the Biggert Collection, to the Avery Architectural and Fine Arts Library at Columbia University.

 The primary role of these illustrations at the time of their use was publicity. The images showed bustling factories, busy street corners, and sturdy bank buildings– all portraying ideas of solidity, activity, and progress. Other types of symbolism can be found in commercial stationery the most ubiquitous being “man’s best friend.” Dogs show up on all sorts of stationery, especially that of banks or other financial companies. Often seen is the illustration of the dog lying in front of a vault or safe, the “watch … read more »

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- A River Runs Through It.

 Cartouche from the Fry-Jefferson map of Virginia and Maryland. Call number G3880 1755 .F72.

INTRODUCTION            The two transcribed letters below are found in the Prince Edward Chancery case Gdns. of Jacob Michaux vs. William Smith, 1788-001. The case has been scanned and is available through Virginia Memory.

            The first letter is from William Tompkins, a London silk weaver with mercantile aspirations, and is written to Jacob Michaux, his wife’s cousin in Cumberland County, Virginia. (The part of Cumberland County in which Michaux lived became Powhatan County in 1777.) Tompkins’ wife was a member of the Michaux family, Huguenots who fled France after the revocation of the Edict of Nantes and settled in England and in Virginia. Tompkins lived in Spittlefield, an area of London with a high concentration of Huguenot weavers. His letter concerns family matters and a recent shipment of goods he made to Virginia. Unfortunately the shipment arrived a few days before the flood of 1771, one of the worst floods in eighteenth-century Virginia.

The second letter is Jacob Michaux’s reply to William Tompkins.  Jacob Michaux, grandson of Abraham Michaux of the Manakin Town (Virginia) Huguenot settlement, was a planter and ran a ferry across the James River. Michaux’s letter describes in detail the flood of 1771, the loss of Tompkin’s goods, consumer tastes along the upper James River, and family matters.

Chris Kolbe, Archives Reference Coordinator

Michaux-Tompkins transcripts (PDF Version of the transcriptions below)… read more »

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