From 1922 to 1966, the Virginia Division of Motion Picture Censorship was responsible for reviewing all motion picture films and their associated advertising materials– banners, posters, newspaper and magazine ads– to determine if the content was obscene or bereft of good morals. First established as the Board of Censors, but later reorganized as a division within the Office of the Attorney General, Department of Law, the body licensed those films that passed review and collected fees for those licenses.
One movie that came under the division’s scrutiny was Baby Face. Produced by Warner Brothers in 1933, the film featured Barbara Stanwyck and George Brent. The plot followed Stanwyck as Lily “Baby Face” Powers, a young woman whose early life included a stint as a barmaid in her father’s saloon. In this decidedly sordid atmosphere, Lily constantly fights off the advances of much older men. Upon her father’s death, she takes the opportunity to leave the small mining community and head to the big city via boxcar. As a way to better her station in life, she pursues nearly every man she meets in an effort to climb the social ladder. She finds employment at a bank and seduces a young bank clerk (played by John Wayne), then moves on to his supervisor. He is followed by a bank vice president and, finally, she marries … read more »
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Also tagged in: Attorney General, Baby Face, Barbara Stanwyck, Board of Censors, Controversial films, Film, George Brent, indecency, movies, Obscenity, Regulation
When creating a who’s who list of the early days of film, the list is dominated by men – Cecil B. De Mille, D. W. Griffith, Louis B. Mayer. But there was an obscured hero of cinema’s early years making film alongside those males – Alice Guy-Blachè. In 1896, Guy-Blachè became the first female director, screenwriter, and producer. Regardless of gender, Guy-Blachè left a legacy of innovation in film. Her 1896 release, The Cabbage Fairy, was one of the first narrative films ever made. Guy-Blachè experimented with hand-tint colorization and even directed with one of the first sound machines decades before The Jazz Singer was released in 1927. Among her 22 feature-length films was The Lure—a film that made an impact on the city of Winchester by sparking a censorship debate, a conflict that found its way to the local courts in the fall of 1914.
The Lure, adapted from a play by George Scarborough, follows the lives of two young women lured into prostitution and enslaved in a house of ill repute. One young woman is enticed away from a fashionable dancing school by a dashing stranger. The other young woman, working in a department store to support an invalid mother, is lured by the promise of “easy night work.” The two ladies are shown being mistreated and suffering forced … read more »