When creating a who’s who list of the early days of film, the list is dominated by men – Cecil B. De Mille, D. W. Griffith, Louis B. Mayer. But there was an obscured hero of cinema’s early years making film alongside those males – Alice Guy-Blachè. In 1896, Guy-Blachè became the first female director, screenwriter, and producer. Regardless of gender, Guy-Blachè left a legacy of innovation in film. Her 1896 release, The Cabbage Fairy, was one of the first narrative films ever made. Guy-Blachè experimented with hand-tint colorization and even directed with one of the first sound machines decades before The Jazz Singer was released in 1927. Among her 22 feature-length films was The Lure—a film that made an impact on the city of Winchester by sparking a censorship debate, a conflict that found its way to the local courts in the fall of 1914.
The Lure, adapted from a play by George Scarborough, follows the lives of two young women lured into prostitution and enslaved in a house of ill repute. One young woman is enticed away from a fashionable dancing school by a dashing stranger. The other young woman, working in a department store to support an invalid mother, is lured by the promise of “easy night work.” The two ladies are shown being mistreated and suffering forced … read more »
“Jugglery, slight of hand [sic], comic concerts, and songs” brought the congregation of Centenary Methodist Church and members of the Sons of Temperance, Pendleton Division No. 22, to the Lynchburg courts in 1881. In Peleg Seabury, etc. vs. E. A. Emerson, etc., 1881-030, the plaintiffs and defendants argued over the proper use of Halcombe Hall. Congregation members complained that the hall was rented out and “filled up for a public exhibition house, for theatricals, and concerts,” but the Sons of Temperance deny any intention of allowing it to be used for a “demoralizing tendency.”
The church purchased Halcombe Hall to promote the “cause of temperance” and objected to its use for such entertainments – especially the play, East Lynne, performed there by the Fay Templeton Star Alliance. The Sons of Temperance countered that East Lynne had “frequently been performed in said hall before the intelligent people of this city who have never pronounced it demoralizing” and that the “performance is of an elevating and refining tendency, and will not injure the morals of any, not even of those whose morals are unhealthy and have a natural demoralizing tendency.”